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An unique style with genuine and true feeling in Chinese painting of Ming & Qing dynasty

真率写情 独抒性灵——明清写意花鸟画的语境与变异

An unique style with genuine and true feeling in Chinese painting of Ming & Qing dynasty;

真率写情 独抒性灵——明清写意花鸟画的语境与变异

Realist Aesthetic Consciousness in the Flowers-and-Birds Paintings of Scholars in Ming and Qing Dynasties;

明清文人花鸟画审美意识中的现实主义

A Brief Talk on Creating Chinese Freehand Flower-and-Bird Painting in Class;

浅谈中国画教学中写意花鸟画的创作

During the Song Dynasty, bird and flower paintings and free-style paintings all developed concurrently.

花鸟画和写意画在宋朝都得到很大发展。

On Life Painting as a Vital Approach to the Creative Development of Flower-and-bird Painting in the Sketching-idea Manner: A Personal Reflection;

临场写生是写意花鸟画创新发展的重要途径

Elegant and Graceful-An Analysis of the Art Characteristics of the Paintings of Flowers and Birds by LIU Changchao;

写得一支清瘦影——刘昌潮花鸟画艺术特色探析

On the Significance of Understanding the Free Style Character of the Yuanti Flower and Bird Paintings in the Early Period of the North Song Dynasty;

北宋前期院体花鸟画写意性的认知意义

Ink and Color Remaining in the World: A Study on Su Baozhen s Freehand Brushwork in Flower-and-bird painting;

彩墨精神留人间──苏葆桢写意花鸟画艺术探略

The article introduces the historical origin, the painting method and the painting process of enjoyable flower-and-bird painting, and emphasizes that ″enjoyable″ is the key of enjoyable flower-and-bird painting.

本文介绍了写意花鸟画的历史由来,作画方法等其他过程。

Depicting the New Spirit with Painting Images: On Contemporary Chinese Flower - bird Painting Practice

用笔墨意象写时代新风——关于当代中国花鸟画创作实践的思考

On Realistic Features of Flower-and-Bird Paintings in the Song Dynasty and Contemporary Times;

浅议宋代与现代花鸟画的“写实性”

On the Mimetic Ideas of the Traditional Chinese Painting From the Flower and Bird Painting in the Song Dynasty;

从宋代院体花鸟画看传统中国画的写实观

Chinese flower-and-bird painting came into being in the end of the Tang Dynasty and the Five Dynasties.

唐末五代前后出现的中国花鸟画 ,以写形、写实为主 ,画史称之为工笔花鸟画。

The Research and Analysis of Spiritual Expression Painting Technique in Blue and White Porcelain from Civilian Kiln at the End of Ming Dynasty in Jingdezhen;

明代晚期景德镇民窑青花瓷器写意性绘画特征探析

"an ancient art, Chinese painting falls into three categories - portrait, landscape, flower-and-bird; and two styles meticulous and freehand."

作为一门古老的艺术，中国画包括人物，山水和花鸟三大类;两种风格:工笔和写意。

His free-hand flower and bird paintings drew on the painting techniques of Xu Wei, Zhu Da, the Eight Eccentrics of Yangzhou and Wu Changshuo, thus showing his solid cultural foundation.

他的写意花鸟画上承徐渭、朱耷、扬州八怪以及吴昌硕，具有深厚的传统文化功力。

these works form a transition to free-sketch flower and bird painting.

这是继林良之后向写意花鸟的过渡。