Cooped,1933),Rear Window (Hitchcock,1954) and Sliver (Phillip Noyce, 1993),this essay presents the modern history of the world metropolis as three distinct cinematographic constructs that are associated accordingly with architectural envisioning in specific historical periods.
1933)、《后窗》(希区柯克。
Through defining a lag window,the algorithm understands the sketch intention of users on the base of incremental intention extraction.
算法通过定义滞后窗口,采用增量式意图提取的方式理解用户的勾画意图,进而根据当前信息修正以前生成的意图段落,使得识别结果和用户的勾画意图保持一致。
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