Everything goes well是什么意思

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More importantly,because these are the carriers most auspicious shape with people s daily life,it is fitting closely related to the practical products,.

在中国传统装饰艺术中,特别是在传统民间艺术作品中,存在着大量具有吉祥寓意的艺术造型。

This article emphatically illustrates the forming cause,characteristics and the main content of chinese propitious culture.

文章着重论述了中国吉祥文化的形成原因和特点以及吉祥文化所包含的主要内容 ,分析了吉祥文化在现代设计中的应用 ,提出要使之更好地服务于社会。

The manifestation and the implication essence of propitious idea in Chinese traditional decorative patterns was discussed in this paper.

本文论述了我国传统装饰图案中吉祥观念的表现形式及其寓意的本质,指出装饰图案反映的是一种善和美的行为和意志,将这种精神元素融入现代标志设计之中,必定会使设计作品更具文化性与社会性。

It uses massive lucky decorative patterns such an animals,plants and characters having Chinese traditional characteristics with concise style to show lively various lucky things loved by the people that express various distinctive cultural connotation respectively.

它大量地采用了具有中国传统特色的动物、植物、文字等吉祥装饰图案,以简约的风格,生动地表现了广大群众喜闻乐见的各种吉祥事物,它们都分别表示着各种独特的的文化蕴含。

Deep influence passed the analysis to pack the design to the Chinese traditional good luck pattern and the modern,tried hard to look for two combine point,clarified the traditional good luck pattern culture.

中国传统吉祥图案和现代包装装潢设计二者之间有一定的结合点,传统吉祥图案文化对包装装潢设计具有深刻影响。

The Main Motifs and Interpretation of Auspicious Patterns on Chinese Historic Furniture;

中国传统家具吉祥图案的主要题材及其寓意解析

The expression forms of traditional auspicious patterns were introduced.

简述了吉祥图案的表现形式,从吉祥图案的表现形式和象征性上来分析其在包装设计中的应用,进而探讨吉祥图案对包装设计的影响及促动。

Through the application of Chinese auspicious patterns in modern plane designs such as poster design,packing design,sign design and bill design etc,people are able to carry forward our tradition and handle the relationship between inheritance and development in order to enhance our traditional culture.

通过平面设计中的包装设计、标志设计、海报设计等多个方面来关注中国传统吉祥图案在平面设计中的运用,使人们能够弘扬传统,处理好继承与发展的关系,将我国的传统文化发扬光大。

This is the reseach to how auspicious art and ceramics formed, It presents the creation, production and development of auspicious ceramics.

本文分析与探索了吉祥艺术与吉祥陶瓷形式的历史渊源和理论基础,对吉祥陶瓷创作及生产的现状与发展进行了归 纳、剖析与论述。

It presents the creation, production and development of auspicious ceramics.

本文分析与探索了吉祥艺术与吉祥陶瓷形成的历史渊源和理论基础，对吉祥陶瓷创作及生产的现状与发展进行了归纳、剖析与论述。

This is the reseach to how auspicious art and ceramics formed, It presents the creation, production and development of auspicious ceramics.

本文分析与探索了吉祥艺术与吉祥陶瓷形式的历史渊源和理论基础,对吉祥陶瓷创作及生产的现状与发展进行了归 纳、剖析与论述。

This is the research to how auspicious art and ceramics formed.

本文分析与探索了吉祥艺术与吉祥陶瓷形成的历史渊源和理论基础，对吉祥陶瓷创作及生产的现状与发展进行了归纳、剖析与论述。

The article analyzes the expression techniques and cultural origin of lucky patterns on blue allover in China, and shows the application and prospect of the blue allover.

该文分析了蓝印花布吉祥纹样艺术形式的表现手法和文化渊源 ,并说明了蓝印花布的现代运用及发展前

Chinese traditional architecture, as a carrier of Chinese culture, is to reflect the courtesy priorities and social orders of a patriarchal clan system in China, and as well as the longing and pursuits of it s people s dreams, which leads to a richness of lucky culture in Chinese traditional architecture.

中国传统建筑做为中国文化的载体之一,必然从各方面反映中国宗法社会的礼乐次序和纲常伦理,以及国人的梦想和祈求,所以中国传统建筑中充实着吉祥文化。