meticulous figure painting是什么意思

网络释义

用法例句

As a traditional Chinese painting style, meticulous figure painting is subject to stiffness, annoyance and dullness due to the fixed model and refinement of expression, which greatly hinders its development.

工笔人物画作为传统中国画的一种画体，在形式语言上呈现出来的固定模式和工整细致严谨决定了其很容易落入刻板、腻烦和呆滞，这是一直以来制约中国工笔人物画发展的重要因素，随着社会发展，现当代人们的文化品味、精神需求和美学观念都与从前相比产生了很大差异，传统的线造型和表现功能也开始显现它的局限性，让人逐渐淡化了对线条的欣赏能力，而更注重于线面造型、色彩造型和肌理表现的形式语言，更关注画面强弱和虚实的整体造势，因而让我们看到当代工笔人物画在传统中国画的技法表现、美感传达与意境营造都在一定程度上显露出了表现力的不足。

In Chinese porcelain art field, Chinese elaborate-style painting is an important part of Chinese classical art, and it plays an important role in creating art style, cultural grade, artic thoughts, aesthetic characteristics of Chinese porcelain.

在中国陶瓷艺术领域,中国工笔国画是中国古典艺术的一个重要组成部分,在塑造中国陶瓷的艺术风格、文化品位、艺术思想、审美特征上,起到了非常重要的作用。

They share, to some degrees, same or similar application in some places: Tangkas Painting and traditional meticulous painting both fully employ the primary color system of red, yellow, blue, white and black; while application of colors in them reflect a totally diff.

藏族的唐卡绘画与汉地的传统工笔画分属我国绘画体系中两个不同的支系。

Before the appearance of painting of man-of-letters of song yuan,meticulouspainting is the main form of Chinese tradition painging, the general viewpoint thinks that it does not have "intention" in meticulous painting and only painting of freehand brushwork has .

在宋元文人画出现之前，工笔画是中国传统绘画的主要表现形态，一般观点认为只有写意画才有“意”而工笔画中没有“意”的存在。

On the relationship of freehand brushwork and fine brushwork paintings in image expression;

试论意笔画、工笔画的意象表达

Ink and Wash painting evolves from Fine Brushwork painting, which serves as the source of the Ink and Wash painting in terms of expression techniques, theorctic basis and principles of modeling, as well as aesthetic approach.

工笔画是水墨画得以产生的艺术基础,水墨画从工笔画中走来,它的艺术审美思想,理论基础,造型原则都出自工笔画,其艺术表现技法也是从工笔画基础上发展而出。

How to teach elementary points about delicate-strokes-portrait shapes? The answer lies in the integration of Chinese freehand brushwork painting with western sketch painting.

当代中国工笔人物画造型基础教学的切入点———应把中国画的写意艺术与西方的写生方法结合起来,做到神形兼备,并突出"尚意"的重要性。